“Well, it’s rather brutal here. Our recommendation is all of our clients to commit their entire holdings into tinned provisions and hunting rifles.” That bit of wise counsel comes from the Brain Gremlin – a scientifically altered, talking, spectacled member of the slimy Gremlin horde that swarms Manhattan’s super-smart Clamp Tower skyscraper in filmmaker Joe Dante’s madcap sequel Gremlins 2: The New Batch. At first glance, it’s simply an portfolio pointer from one monster to another. But, in a strange manner, it’s also remarkably sound existential counsel. Seriously, hear me out.
When situations deteriorate, the worst thing you can do is approach matters with excessive gravity. The Brain Gremlin understands this. In fact, a large portion of the dentally-gifted beasts that occupy Dante’s unrestrained 1990 movie (debateably his greatest) possess the same sly, self-aware funny bone regarding the indistinct border separating the mundane and pure pandemonium. It’s a single component of Gremlins 2: The New Batch that maintains my loyalty – and as I age, it’s the message that echoes the loudest.
Understandably, my attachment to this movie wasn’t born on such an introspective level. In my youth, we only had a few battered VHS tapes at home. Among them were Gremlins and its sequel, the latter housed in a bulky previously-rented case likely purchased from an non-chain rental store and featuring snarling creatures on its worn-out artwork. I was immediately enamoured and these films quickly proceeded embedding themselves inside my small, malleable brain. Henceforth, they became an almost-daily part of my youthful watching schedule.
Dante’s initial installment usually receives all the praise, thanks largely to its legacy as a semi-scary seasonal fave – and let me be clear, I’ve watched Gremlins on countless occasions. Nevertheless, its successor seldom receives the same level of lofty appreciation, which feels criminal. As a kid, I’d never miss an opportunity to watch Gremlins 2. During bright summer vacations, I’d lock myself inside and pop it in. When I got my own TV-VHS combo unit, it continued playing looped in my bedroom. With repetition, it etched itself permanently in my psyche. If my parents observed this fixation, they didn’t seem to mind.
As I matured, new revelations rewarded repeat viewings, amplifying the pleasure of watching small emerald creatures joyously wreck a New York high-rise. I learned the forward-thinking property magnate and Clamp Tower owner, Daniel Clamp (John Glover), was modeled closely on the later-to-be-president Donald Trump, with his red-headed employee Marla (Haviland Morris) alluding to his former spouse Marla Maples. Thankfully, Clamp has more heart than his actual-world equivalent.
The “end of civilisation” video Clamp plays during maximum monster mayhem? I discovered it was modeled after a real-life “Doomsday” video created by the CNN boss Ted Turner in case the world really ended. I noticed how Dante went out of his way to film varying versions of a self-referential segment where Gremlins seize control of the actual feature in progress. A version for theaters, another for home video and television, each providing a grinning portion of meta pop-culture magic ahead of its time.
While it was creature designer Rick Baker’s gloriously nasty-looking creatures that caught my eye as a child, this deeper gold kept me hooked as an adult. Eventually, I even spoke to Dante about it myself and he had no qualms revealing to me he made the movie with the direct intention of poking fun at those who loved its silly-yet-sincere predecessor and wanted more. “We were going to make fun of the fact you came to see it,” he happily revealed. This Looney Tunes-esque insubordination and determination to not take his sequel as solemnly as his Warner Bros bosses evidently expected, only increased my affection for it.
When I endured a sudden family bereavement earlier this year, I was surprised to find that, during my deepest grief, all I desired to do was sit and watch Gremlins 2: The New Batch. Odd, no? Maybe not. The comforting familiarity it provided was essential to weaken my mind’s grief morass – but the stuff it had bestowed upon me as an adult were just as useful.
Like Gremlins tearing apart a genetics laboratory, there’s certain elements in life you just are powerless over. Dante understands this. The Brain Gremlin agrees completely. Sometimes, you have to be like them: embrace the chaos, commit your entire being into tinned provisions and hunting rifles and try not to take things too seriously.
It’s strong life advice from a highly unexpected fountain – and it’s why Gremlins 2: The New Batch will always be my feelgood film.
Elara is a tech enthusiast and lifestyle blogger passionate about sharing innovative ideas and practical advice for modern living.
Edward Howard
Edward Howard
Edward Howard
Edward Howard
Edward Howard